
Long ago, a simple, unremarkable table entered the artist’s life.
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Nothing set it apart, except the place it was destined to take: the silent witness, the foundation upon which a path would be forged.
More than a piece of furniture, it became the quiet altar where his first impulses of metal were born.
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On its time-worn surface, more than two thousand sculptures emerged, each carrying the mark of a struggle between the artist, the material, and the night.
Motionless yet attentive, the table watched him confront the hours under the trembling glow of workshop lamps.
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It heard the heavy silences, the breath cut short by fatigue, the sharp echoes of the hammer striking iron like a resistant heart.
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But above all, it saw what no one else ever will:
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the nights when doubt weighed heavier than steel,
the moments when tears mixed with metal dust,
the hours when solitude became a companion,
and the times when fire was the only truth left.
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It was there that the first sketches of his forged-steel stilettos took shape, fragile outlines becoming burning silhouettes, then sovereign entities freed from flesh.
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Every piece passed across it: born as dust, raised as sculpture.
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Deep in its wood, it felt every tension, every strike, every hesitation that carved a path forward.
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Not gentle emotions, but fractures of will, the harshness of the craft, the fight to impose a vision no one else yet perceived.
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Now scarred and shadowed, the table stands as a work of art itself.
Not beautiful, not perfect, but true, witness to a journey forged in solitude, iron, and persistence.
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Every scratch, every burn tells a story:
that of a man who sculpted more than metal, he sculpted his own deliverance.
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Thus, the table has become a personal and timeless symbol of the artist.
It remains the silent reflection of an ascent forged not in ease, but in night, flame, and stubborn resolve.
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Forever, it stands as the mute guardian of a destiny born in the fire of creation.
S
Sharon Williams & Sculpteur Roderick Owen