I transform steel into presence, freed from flesh.
.
Contemporary sculptor Roderick Owen develops a practice centered on the transformation of steel into presence.
.
His work is rooted in a physical relationship with metal, where each form emerges from a balance of constraint, precision, and commitment of gesture.
.
Steel imposes its resistance and rhythm.
It yields nothing without struggle and forces the gesture to adjust, to listen, to remain within a continuous tension where each contact becomes a beginning.
.
Within this sustained tension, the material eventually gives way, and from his hands he shapes a stiletto, freed from flesh.
.
No longer fashion accessories, stilettos become presences, born of fire and silence, freed from all human identity, neither male nor female, belonging to no world, free to define their own form.
.
From this emerges his gesture: to bring forth entities of steel that preserve their allure eternally, freed from flesh, bound to no wearer.
.
Steel heels that break from their origin and assert their own existence.
Beings of fire and steel, released from the living.
.
Like a couturier shaping rare fabric, he sculpts steel with precision and vision, merging the aura of fashion with the power of metal in a single act.
.
In his studio, he elevates matter into works that escape time.
.
His universe takes shape within a dialogue between fire and shadow, where each curve reveals an irreversible transformation.
What emerges is not a figure, but a presence in becoming.
.
His forms do not seek definition, but assert themselves.
They exist in a fragile balance between tension and control, between appearance and disappearance.
.
Timeless sculptures, freed from flesh, sovereign within a world devoted to metal and fire, where humanity holds no power.