I transform steel into presence, freed from flesh.
.
Contemporary sculptor Roderick Owen develops a practice centered on the transformation of steel into presence.
.
His work is rooted in a physical relationship with metal, where each form emerges from a balance of constraint, precision, and commitment of gesture.
.
Steel imposes its resistance and rhythm.
It yields nothing without struggle and forces the gesture to adjust, to listen, to remain within a continuous tension where each contact becomes a beginning.
.
Within this sustained tension, the artist slowly accompanies the transformation of matter.
.
Steel retains its strength, yet gradually accepts a new architecture.
Among all possible forms, the stiletto emerges as the most fitting.
.
It carries within it movement, balance, and elevation, while concentrating the precision, constraint, and momentum that run through his work.
No longer fashion accessories, stilettos become presences, born of fire and silence, freed from all human identity.
.
From this emerges his gesture: to bring forth entities of steel that preserve their allure eternally, freed from flesh, bound to no wearer.
.
Steel heels that break from their origin and assert their own existence.
Beings of fire and steel, released from the living.
.
Like a couturier shaping rare fabric, he sculpts steel with precision and vision.
.
In his studio, he elevates matter into works that escape time.
.
His universe takes shape within a dialogue between fire and shadow, where each curve reveals an irreversible transformation.
What emerges is not a figure, but a presence in becoming.
.
His forms do not seek definition, but assert themselves.
They exist in a fragile balance between tension and control, between appearance and disappearance.
.
Timeless sculptures, freed from flesh, sovereign within a world devoted to metal and fire.